Let’s continue on the great Shakespearean Selfie remastering project…
Have to admit I found drawing a six-pack on stick-figure Antonio to be HILARIOUS.
Let’s continue on the great Shakespearean Selfie remastering project…
Have to admit I found drawing a six-pack on stick-figure Antonio to be HILARIOUS.
Let’s keep updating those play pages! Today we have three “M” plays that are conventionally known as comedies. In actual fact, two of them really incredibly NOT funny and the third is… just not very good, to be honest. I’ll let you figure out which is which.
Don’t know why it’s taken me six years to follow up on my first set of Shakespearean Valentines, but better late than never, eh?
I’m a huge Star Trek nerd, and, as I am in the midst of a long-running TNG/DS9/VOY rewatch project, it seemed only natural to figure out which Shakespearean characters would make the ideal Federation starship crew. Here are my (totally non-definitive) picks:
CAPTAIN HENRY V: This one is kind of a no-brainer. The captain has to be decisive, able to command with a mixture of compassion and discipline, inspire loyalty in his crew, and accept ultimate responsibility for the ship. Henry V ticks all those boxes.
FIRST OFFICER ROSALIND: Rosalind’s ability to manage numerous moving parts and get people to do exactly what she wants them to make her an excellent choice for first officer. A natural leader, she stands ready to take over should the captain be incapacitated, and also will not hesitate to call the captain out if she thinks he is making a mistake.
COUNSELOR PAULINA: Paulina is not your touchy-feely empathic counselor. She is a no-nonsense problem solver. If you are having a problem, she will fix it. It might not be a pleasant experience for anyone involved, but you will come out the other side a better person. Probably.
OPERATIONS OFFICER ARIEL: Nobody is quite sure exactly what it is the operations officer does, but the bottom line is that he’s responsible for keeping the ship running smoothly. The airy spirit Ariel is more than capable of monitoring all of the starship’s complex systems and addressing any problems before they get too troublesome.
CHIEF ENGINEER PORTIA: The chief engineer of a starship has to be a consummate problem solver, able to quickly adapt to rapidly changing circumstances and come up with innovative and effective solutions. All this leads to Portia—the one from The Merchant of Venice—who is constantly overcoming obstacles in unexpected ways. If there’s a loophole in the laws of physics, she will find it.
TACTICAL OFFICER & SECURITY CHIEF CORIOLANUS: Battles must be won! Order must be maintained! Coriolanus’s single-minded adherence to those two maxims make him the ideal tactical officer and security chief. Fortunately for him, his excellence in those fields balances out his total lack of interpersonal skills and objectively objectionable personality.
MEDICAL OFFICER HELENA: She’s still relatively junior, but Helena—the one from All’s Well That Ends Well— shows great promise as a doctor. Able to blend established practices with new technological and pharmacological innovations, she is on the cutting edge of medical research, and does her best to keep her crew healthy.
HELMSMAN PERICLES: Pericles is more at home sailing between the stars than he is on the ground. OK, one time he piloted a starship into a gravimetric distortion and ended up having to abandon ship, but that was a while ago, and he’s got the hang of it now. Honestly.
SCIENCE OFFICER FRIAR LAURENCE: Friar Laurence is an avid xenobotanist. Nothing makes him happier than collecting plant samples from alien planets and then conducting weird experiments in his lab. He was demoted to ensign after the infamous Sleeping Death Replicator Virus incident, but he’s promised not to make that mistake again.
Thanks to my Shakespeare consultant Kate Pitt and my Star Trek consultant (and Star Trek re-watching buddy) James for letting me bounce these extremely nerdy ideas off of them.
Shakespeare play titles are all pretty obvious. Let's see what it would be like if they had slightly more modern titles...
Seeing as tomorrow is (alas) Inauguration Day, I thought I would take some of our incoming president's more recent tweets and match them up with Shakespearean characters... with some strategic alterations where necessary.
The first draft of this comic was, like, all history plays. His tweets match up very well with history plays, alarmingly....
Following up on last Thursday's comic highlighting some of the many mothers missing from Shakespeare's plays, here are some more missing mothers, rightfully restored to their places.
A few thoughts:
From a dramatic standpoint, there's definitely a reason why Shakespeare left these mothers out in favor of mothers like Volumnia and Margaret of Anjou...
King Lear really suffers from a lack of mothers. Mothers would have sorted that whole play out before you even got to the second scene.
I kind of want to do a series of comics now on how Mrs. Polonius manages to diffuse the entire situation at Elsinore and everyone ends up over at her place talking through their feelings over cups of hot tea and some scones.