Today’s 30 Days of Shakespeare installment celebrates one of the most pointless words in Shakespeare!
There are several really fun ways to flex on fellow Shakespeare geeks. This is one of them. I’ll get to at least one other later this month.
Today’s 30 Days of Shakespeare installment celebrates one of the most pointless words in Shakespeare!
There are several really fun ways to flex on fellow Shakespeare geeks. This is one of them. I’ll get to at least one other later this month.
This last week kind of got away from me, so while I get my act back together let’s dip into the archives and learn more about one of my favorite words!
Being able to say “honorificabilitudinitatibus” is one of my party trick.
Being able to say it BACKWARDS (“subitatinidutilibacifironoh”) is another one.
Being able to recite the Salic Law speech is a third.
I’m a lot of fun at parties.
A trifecta of relatively obscure plays today!
I’ve seen Henry VIII and King John performed lived twice each now, and Love’s Labour’s four times, not counting various filmed productions. I can also say “honorificabilitudinitatibus” forwards and backwards. My Shakespeare geek creds are strong.
Some useful quotes for our current time.
Foul words is but foul wind, and foul wind is but foul breath, and foul breath is noisome; therefore I will INSIST THAT YOU PULL YOUR MASK UP OVER YOUR NOSE, COME ON, MY GLASSES ARE FOGGING UP TOO BUT SERIOUSLY ONLY SELFISH SOCIOPATHIC NARCISSISTS THINK THAT’S TOO HIGH A PRICE TO PAY FOR LITERALLY SAVING LIVES AND CURBING A GLOBAL PANDEMIC JUST dammit… I’m so tired… just wear your masks properly.
Hey all. I'm postponing the rest of my "The Frozen Winter's Tale" series until after my visit to the Folger at the end of the month, as I've just got too much to do ahead of then to be able to give it the time, attention, and mental energy it needs. But it will be back! In the meantime, here's this:
Yes, I've memorized how to say "honorifcabilitudinitatibus".
Yes, I occasionally say it at random moments, just to show off.
Honorificabilitudinitatibus.
It's a lot of fun to say.
It's that infuriating time of year when shows at the Stratford Festival in Canada (which I have been patronizing since the extremely early age of three) start opening. I say "infuriating" because I'm not going to be able to see any of these shows until my family vacation in August, and so for the next few months I have to enduring tantalizing hints on social media as to how cool these shows are going to be. It's like giving a starving man a plate of wax fruit.
(If anyone from the Festival reads this and feels like giving me free tickets to come up earlier, I should state that my schedule is extremely flexible and I have my own transportation. I also wasn't able to fit Anne Frank and Possible Worlds into our August trip, so if you have any spare tickets lying around for those shows in particular, that would be... I'm sounding a bit desperate, aren't I... sorry... sorry... carry on...)
Anyways... here is the line-up for the Stratford Festival's current season, with the theme of "Discovery: That Eureka Moment".
Things that Hamlet discovers: (a) his uncle killed his father, (b) plotting revenge is more complicated than he thought, (c) don't stab random curtains.
Things that Maria discovers: (a) seven is a lot of children, (b) curtains make great play-clothes, (c) most of life's problems can be solved if you just sing a lot.
Oh Carousel... You're so problematic... So very problematic...
Things that Billy discovers: (a) armed robbery is not a career opportunity, (b) killing yourself doesn't actually make things easier for your family, (c) you can steal stars, which hitherto we had thought were giant balls of flaming gas, but are actually cute little sparkly things symbolizing hope and reconciliation and stuff like that.
Things that Anne discovers: (a) even in the darkest times, the human spirit remains indomitable and free, (b) it's not always easy living in very close proximity with people for two years.
Oh Taming of the Shrew... You're so problematic... So very problematic...
Things that Petruchio discovers: (a) ... I can't actually write anything here because, depending on directorial interpretation, he could either discover that that his grubbing pursuit of money has, in fact, led him to discover true happiness with a soulmate who is his intellectual and emotional equal, or he could discover that marrying a woman for her dowry and then emotionally and physically abusing her is a great way to get rich quick. Or anything in between those two.
Things that Kate discovers: (a) upper-class English men are idiots.
....sorry, I've never seen this play before, that's all I've got.
Things that Mobius discovers: (a) when you're hiding out in an insane asylum, you shouldn't be surprised if things get a little bit crazy.
I've never seen this play either. There are some fun plot developments in it that I've tried not to spoil. (SPOILER: HIS UNCLE KILLED HIS FATH-- no wait, wrong play.)
Things that Face and Subtle discover: (a) people are essentially gullible idiots, (b) when people stop being gullible idiots, you had better run for it.
This will be only the second Ben Jonson play I have ever seen! I am so very excited.
Things that the boys discover: (a) don't make impetuous vows of celibacy, (b) don't write incriminating letters proving that you're planning to break your impetuous vows of celibacy, (c) don't try to fool the girls, because they are much smarter than you.
I've seen a lot of Love's Labour's Losts recently and am becoming very fond of it. Looking forward to this production.
Things that Oedipus discovers: (a) he murdered his father, (b) he married his mother.
End of story.
Things that George discovers: (a) that he's actually [SPOILER]
I haven't seen this one either. I'm digging its Star Trek vibe, though.
OK, this is a TOTALLY NEW PLAY that will be making its debut at the Festival this season, so I obviously haven't seen it or read it or even been able to look up its summary on Wikipedia. It appears to be a contemporary account of Katherine Parr, the last wife of Henry VIII. So I have no idea what Kate discovers.
Things that Pericles discovers: (a) he shouldn't throw people overboard without making sure that they're dead, (b) he shouldn't leave his daughter with dubious babysitters and then never go back to pick her up.
Come on, Pericles. Get your act together.
So anyways, that's my round-up of the Stratford Festival's upcoming season. If you've followed my stuff for a while, you'll know that I'm very fond of the Festival, and that they reliably put on very high quality productions of both classical and contemporary plays, so if you're anywhere near Ontario you really should make an effort to stop by and see a couple shows.
(I should note that the Stratford Festival is not bribing me to shamelessly promote their season. I genuinely think they're awesome and super-fun.)
2015 is shaping up to be the year of Love's Labour's Lost. First we have the Royal Shakespeare Company's current production, which is due to be live-streamed to cinemas around the world tomorrow. Then, later this year, I'll be off to see a production at the Stratford Festival in Canada. Finally, this summer there are plans to film a version of Love's Labour's Lost set in a boarding school. (To help support this project, check out their Indiegogo campaign.)
With all that Love's Labour's Lost floating around, I thought it was a good time to put together a handy-dandy one-page guide!
Check out my other All You Need To Know About [Insert Play Here] guides!
One of my best friends was visiting town last December and I went over to her parents' house to hang out with her. Her parents were getting rid of stuff and, knowing my interest in Shakespeare, had set aside a little book for me.
I will take roasted crabs over Hamlet angst any day.