Malvolio's Revolve

The joy of Shakespeare is that even if you see the same play dozens of times, each production is its own, unique experience.

Having said that… there are certain bits of stage business that often crop up in numerous productions. One of my favorites is Malvolio’s revolve.

Just for fun, here are various examples of Malvolio’s revolve that have been captured on film:

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Alec Guinness in the 1970 ITV Saturday Night Theatre production does the classic dubious, self-conscious revolve, although Sir Toby and his gang are safely behind a hedge and don’t have to hide.

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Nicholas Pennell in this 1986 filmed production at the Stratford Festival of Canada executes a confident and rarely-seen double revolve, forcing his peanut gallery to duck out of sight.

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In this filmed version of the Renaissance Theatre Company’s 1988 production, Richard Briers executes a very slow , dubious revolve that is notable for being counter-clockwise. In my experience, most Malvolios revolve in a clockwise direction.

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Finally, this Stratford Festival production milks the revolve for all it’s worth, with Tom Rooney’s Malvolio turning at just the right speed to miss Sir Andrew’s desperate dash across the stage.

Some productions choose to have Malvolio turn the letter around, rather than himself. Others either blow past the line without acknowledging its comedic gag potential, or cut it in its entirety. All are valid choices, but honestly… why look a gift gag in the mouth?

Ophelia's Grave Relations Raccoons

On Tuesday we looked at one of my favorite outdoor Shakespeare performance anecdotes, Squirrel Butt Romeo. Actor and fight director Geoffrey Kent (currently appearing at the American Shakespeare Center as Antony, Antony, and some other guy who is not Antony) has so far been the closest to unseating Squirrel Butt Romeo, with this spectacular trainwreck:

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This is one case in which I feel the comic cannot capture the absurdity of the actual event. Anyways, things apparently got weirder after that:

So… do you have an outdoor Shakespeare anecdote that can beat that?

Squirrel Butt Romeo

I love Shakespeare performance anecdotes, so I was delighted when a recent Twitter conversation about outdoor Shakespeare productions started to generate a “best of” list of natural calamities.

Here is my current favorite, as supplied by my friend Kate Powers, director, educator, founder of the Redeeming Time Project, and all-around excellent Shakespeare geek.

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More anecdotes coming. If you think you have an anecdote that can compete with Squirrel Butt Romeo, leave me a comment or add to this Twitter thread:

Shakespeare Yoga, part 1

So, back in April the Shakespeare Association of America conference offered morning “Shakespeare Yoga” sessions. This basically meant regular yoga with a Shakespeare-inspired soundtrack, but I thought it would be fun to codify some classic Shakespearean yoga poses.

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Consulting pocket dramaturg: Kate Pitt, as usual.

If you can think of a Shakespeare equivalent for ‘chaturanga dandasana’, leave me a comment below. I’ve spent way too much time thinking about it.

Disguise

You know the classic Shakespearean trope where one character (usually a girl disguising herself as a boy) changes her hairstyle or puts on a hat and is suddenly TOTALLY UNRECOGNIZABLE to even her closest friends and family?

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Apparently we shouldn’t dismiss it that quickly, based on the real life experiences of my Shakespearean BFF, Kate Pitt.

Pirate Ex Machina

Have you ever written yourself into a corner and found yourself trapped in a plot complication that seems impossible to untangle? Consider doing what Shakespeare often did in such situations: introduce convenient pirates!

Thanks to my pocket dramaturg, Kate Pitt, for once again consulting with me on this, and for compiling a list of Shakespearean Pirate Names:

The Ohio Light Opera 2019 Season, part 2

We’re back with the remaining four productions on the Ohio Light Opera 2019 playbill, starting with a classic Gilbert and Sullivan operetta, possibly the first theatrical piece I memorized as a small child. Because… pirates.

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Everyone knows Rodgers and Hammerstein, but Hammerstein did a lot of work with Kern before he really figured out how to effectively integrate these things called “plots” into a musical (Show Boat notwithstanding). Here’s one of their earlier efforts:

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A season at OLO wouldn’t be complete without some csardas-fueled Emmerich Kalman (a personal favorite of mine).

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And finally, for those fans of hopelessly melodramtic, multi-generational tales of foiled romance, we have this incredibly florid offering from Ivor Novello (aka Jeremy Northam in Gosford Park).

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I’m looking forward to seeing all of these next month!