A stick-figure Shakespeare comic by Mya Lixian Gosling
It’s here.
It’s finally here.
It’s ACT 2, SCENE 2 of Hamlet!
I hope you like it, because it goes on forEVER.
Consulting pocket dramaturg: Kate Pitt
Seriously, we’re going to be parked in Act 2, Scene 2 well into the New Year. There’s nothing I can do about it, folks. Blame Shakespeare.
One more Stick Figure Iconography before we move on…
Consulting pocket dramaturg: Kate Pitt
For better or worse, it’s that time of year again! Get 20% off everything in the Good Tickle Shoppe from Friday, November 29 through Monday December 2 using the code BLACKFRIDAY2019!
A couple more Stick Figure Iconographies to get us ready for Act 2, Scene 2 next month…
Consulting pocket dramaturg: Kate Pitt
For better or worse, it’s that time of year again! Get 20% off everything in the Good Tickle Shoppe from Friday, November 29 through Monday December 2 using the code BLACKFRIDAY2019!
OK! Act 2, Scene 2 of A Stick-Figure Hamlet is up next, and BOY HOWDY is it a doozy. So, before I tackle it, I thought I’d just take a deep breath and share a couple more Stick Figure Iconographies with you, starting with everyone’s (least) favorite interfering father!
Consulting pocket dramaturg: Kate Pitt
One or two more iconographies next week before (dun dun DUNNNN) 2.2 gets underway.
We’ve just seen Polonius attempting to spy on his son, so let’s check in and see how his attempts to manipulate his daughter are going!
Consulting pocket dramaturg: Kate Pitt
JUST ONE BIG HAPPY FAMILY
We’ve finally made it to Act 2! Now things are going to get exciting…
…after this scene, anyways.
Consulting pocket dramaturg: Kate Pitt
Reynaldo’s totally pointless appearance here is usually cut, although, for some reason, I think I’ve personally seen him more often than not. Also, I’ll admit to one time being TOTALLY convinced that the actor playing Polonius had actually forgotten his lines. “By the mass, I was about to say something” sounds EXACTLY like what a Shakespearean actor who has dried would say in order to get a helpful prompt from their scene partner… and then Reynaldo straight-up prompts him. It’s great.
OK, let’s wrap up this ghost stuff so we can move on…
Consulting pocket dramaturg: Kate Pitt
And just like that, we’re done with Hamlet!
*checks notes*
I’m sorry, I meant we’re done with THE FIRST ACT of Hamlet.
Oh boy…
Oh, and the Good Tickle Shoppe is open again!
It’s SECOND SOLILOQUY TIME!
Consulting pocket dramaturg: Kate Pitt
I think I’ve only actually seen one Hamlet take out a notebook and “set it down”, but I may not have been paying close attention.
