An Egregiously Brief Overview of Original Pronunciation.

First of all, I apologize for this post being a bit late. I was JUST ABOUT to upload it when the internet at my house cut out. This should not have been a surprise, given all the various technical difficulties in the US yesterday...

Anyways... today's comic deals with one of the more interesting topics in contemporary Shakespeare studies: Original Pronunciation!

O.P. and the amazing ways in which it has been reconstructed deserve a lot more space than six stick-figure comic panels, but hey, barbarically reducing things of great literary and scholarly merit to their bare bones is kind of my "thing". At the very least, now you know that when Hamlet tries to rhyme "move" and "love", it's not actually him pretending to be mad. 

The super-linguist in question is David Crystal, whose praises I've repeatedly sung. In his O.P. endeavors he has been ably assisted by his son, Ben Crystal, an actor who, armed with Shakespeare's O.P., can make the prologue of Romeo and Juliet sound sexier and more piratical than you could have ever imagined. If you don't believe me, just take a listen:

Seriously. That's gorgeous. Here's a longer video, featuring Papa Crystal and Ben at the Globe:

It's easy to get snobbish about Shakespeare and to believe it works only when performed in the elegantly trained received pronunciation of an Ian McKellen or a Benedict Cumberbatch. But, as the Crystals point out, received pronunciation is even further away from Shakespeare's original accent than American accents are from it. 

Shakespeare can be performed in any accent. English, Welsh, Scottish, American, Canadian, Singaporean, I don't care. His words still have immense power. However, when you hear it spoken in O.P., you really get a sense of what it must have been like for those first groundlings at the first Globe Theatre.

If Shakespeare had written... Jurassic World

If you haven't seen Jurassic World, this comic probably won't make a lot of sense. Sorry.

If you have seen Jurassic World, this comic probably still won't make a lot of sense. Sorry.

SPOILERS. 

While there are many things wrong with Jurassic World, I think Indominus Rex's story is positively Shakespearean. Held captive for her entire life, murders her sister, escapes and attempts to seize control of island, convinces those dedicated to hunting her down to join forces with her against a common enemy, ultimately betrayed by those she trusts and dragged to a watery doom...

Jurassic World - the dinosaur's version of a Shakespearean history play. 

Review of "Hamlet" at the Stratford Festival

Last week I reviewed Pericles, the first Shakespeare play of my Stratford Festival season. Today I'm turning my attention towards their production of Hamlet. 

As I've mentioned before, I'm not a particularly critical person and am not always good at analyzing or articulating my reaction to a show. At the intermission of Hamlet I was wondering vaguely what was wrong with me, as the show I had seen was doing everything right (as far as I could tell) and yet somehow was not pulling me in. I still don't know why that was, but I do know that the second act redeemed all that.

Confession: I've had an actor-crush on Jonathan Goad ever since I saw him as Hotspur in Henry IV, part 1 at the Stratford Festival many years ago. Like all Hotspurs, he had a manic energy and dangerous edge, but he also had the charisma and competency that many Hotspurs seem to lack - all qualities that he also brought to his Hamlet.

Again, as is usual at Stratford, the supporting cast members were all uniformly excellent. I particularly enjoyed Geraint Wyn Davies's Claudius, whose brief moments of villainous plotting were all the more alarming for how charming and reasonable he seemed most of the time, and for Adrienne Gould's mad scene as Ophelia, which definitely ranks as one of the more unsettling ones that I've seen.

When you inject this much energy into a production, it is sometimes possible for things to get lost in the hustle and bustle. It is to director Antoni Cimolino's credit that this Hamlet, despite being physically lively and fast-paced, is also accessible, comprehensible, and, most importantly, entertaining.

Review of "Pericles" at the Stratford Festival

OK, I'm trying something a bit different today... a review! I love going to the theatre, but I've never written actual reviews of the productions I've seen. Mostly this is because I am a terrible reviewer. I'm fairly easy to please and without any of the critical discretion of more seasoned reviewers. I'm also very soft-hearted, so if I didn't enjoy a production I am more likely to pretend I never saw it in the first place rather than say anything negative about it. But let's give it a try! The guinea pig I have selected is the first show that I saw at the Stratford Festival this season.... Pericles!

Now, the gentleman I was sitting next to might just be overly full of joie de vivre, but to have someone who, at the beginning of the show asked me "is the language in this play the sort of Shakespeare language you have to translate constantly in your head?", turn around at the end and say "That was terrific, everyone should see this!" is quite a positive testimonial. Especially because this was Pericles. And, let's face it, Pericles is nowhere near one of Shakespeare's more accessible plays. 

The only other time I've seen Pericles was again at the Stratford Festival, about twelve years ago. That was a decent production too, but this one was definitely cleaner, much easier to follow, and more stylistically cohesive. As I always say, I'm fairly frivolous and can get quite impatient with directorial Concepts (with a capital C) but in this case the Victorian concept definitely served the play, as opposed to being imposed upon it. I particularly enjoyed the double-casting (which I enjoy anyways, but which actively enriched the production in this case.)

I really don't need to say that the acting and the language-speaking were superb, because that's almost always the case at Stratford. Special mention to Deborah Hay, whose gigantic brimming limpid eyes in the already emotionally-fraught reunion scene managed to sneak through the chinks in my fairly robust emotional armor. 

Pericles isn't performed all that often, so, if you can, take an opportunity to see this production. (If you're on the other side of the continent, the Oregon Shakespeare Festival is also mounting a production this season, and so you should totally see that one and then tell me how it is.)

Kids Read Comics Convention

I've been plastering this all over social media, but forgot to re-mention it here! This week, June 20-21, is the Kids Read Comics Convention in Michigan! Specifically, it's at the Ann Arbor District Library. I will be there both Saturday and Sunday, from 12pm to 6:00pm, selling a variety of Good Tickle Brain merchandise, including t-shirts! Here's a sneak peek and some of the stuff I'll be presenting:

If you're in the Southeastern Michigan area, stop by and say hello! I'm a very nice person and would love to chat with you, so don't be shy. If you're NOT in the Southeastern Michigan area, don't worry! In a couple weeks (hopefully, tech gods and my own limited intellect permitting) I will be launching my online store and you'll be able to order shirts and other merchandise there.

Hope to see some of you there!

Timon Who?

I was looking through my archives and I noticed that one play in particular never seems to feature in my comics.

If pressed, I'd probably say that my least favorite Shakespeare play is Timon of Athens. It's not a really fair judgement, as I've only seen it once, a number of years ago, and haven't revisited it since. At the time I remember thinking it was a miserable play. Of course... that's kind of the point. It's like complaining about Romeo and Juliet being "a bit of a downer". 

Nowadays it seems like Timon is the hipster of the Shakespearean canon. "I liked Timon of Athens before it was cool", I can almost hear people say. "Duuuuude, Timon is, like, a brilliant critique of our corrupt, emotionally-bankrupt and overly-materialistic society, man. It's deep." That may very well be the case. It's also not much fun.

I probably need to give Timon another chance. Have an opinion on Timon? Leave a note for me in the comments!